Preraphaelite Dream I – Dorothy or Mary as June (2024)

Preraphaelite Dream I – Dorothy or Mary as June (2024)

92 x 132 cm
hand tufted rug
mohair, silk, wool

Based on Frederic Leighton’s painting Flaming June (1895), modelled by dorothy Dene or Mary Lloyd.

In art history, people—especially women—have been depicted without body hair, as hair has been associated not only with indecency but also with heightened sexuality, witchcraft, and uncleanliness. Gustave Courbet's painting L’Origine du Monde (The Origin of the World, 1866), which depicted a woman’s vagina with pubic hair, caused a scandal at the time. Even in our time, a Teflon-like sheen, porcelain-like smoothness, hair removal, and the elimination of pores from images dominate the mainstream.

Through these hairy images objects of beauty become abjects.

Preraphaelite Dream II – Model unknown (2024)

Preraphaelite Dream II – Model unknown (2024)

92 x 128 cm
hand tufted rug
mohair, silk, wool

Based on E. Burne-Jones’s sketch for his Briar Rose series (1871-1890), model unknown.

Preraphaelite Awaken II – Jane as Proserpine (2025)

Preraphaelite Awaken II – Jane as Proserpine (2025)

90 × 82 cm
hand tufted rug
mohair, silk, wool

Based on D.G. Rossetti’s painting Proserpine from 1874. Model Jane Morris (Burden).

Preraphaelite Awaken I – Miss McDowall as the bridesmaid (2025)

Preraphaelite Awaken I – Miss McDowall as the bridesmaid (2025)

90 × 82 cm
hand tufted rug
mohair, silk, wool

Based in J.E. Millais’ The Bridesmaid from 1851.

Preraphaelite Awaken III – Alexa as Veronica (2025)

Preraphaelite Awaken III – Alexa as Veronica (2025)

90 × 82 cm
hand tufted rug
mohair, silk, wool

Based on D.G.Rossetti’s painting Veronica Veronese (1872), modelled by Alexa Wilding.

Armas Aika proposition shown in cold tones

Armas Aika proposition shown in cold tones

Rendering of the space by JKKM architects.

Armas Aika proposition shown in original colour way

Armas Aika proposition shown in original colour way

The title of the piece Armas Aika ( Dearest Season) comes from the beloved Suvivirsi song, sung at Finnish school spring parties. Instead of merely summer, the work’s ‘dearest season’ takes thoughts to the garden during the different seasons – in the work, the flying white petals of the apple tree flowers are associated with the fleeting snowfall, which covers the earth at the dawn of winter and protects it for the next growing season. The flowers of the work bloom and the leaves turn green even in the middle of the darkest and coldest winter, giving the promise of spring that will always come again.

The plants selected for the piece bloom from early spring to late autumn. Hyssop, wild strawberry, redcap, peony, ball thistle, musk mallow, bitter gourd, eagle’s wing fern, dandelion, blue anemone, daisy and an apple tree that curves over everything have been chosen. The number of plants ’12’ reflects the cycle of the year and rebirth, the new growing season that always inevitably arrives. The main themes of the work are comfort and hope.

The color scheme is like a pink glowing spring night, at the same time overflowing with brightness and careful twilight. The brightly colored flowers stand out against the soft reddish background, and the background shows yellow-gold fades, like the touches of the sun’s rays.

Rendering of the space by JKKM architects.

Sample for the proposition

Sample for the proposition

For the the basis of my proposition I made smaller version of it (155 x 150 cm), shown here with artworks by Milla Vaahtera and Saija Halko as part of HYMNI exhibition in Lokal gallery, Helsinki, 2024.

Armas Aika

Armas Aika

Hand tufted rug (2023)

155 x 150 cm

Mohair, wool, silk

Ode to Love

Ode to Love

Ode to Love –exhibition was based on my original idea, and organized at Lokal Gallery in 2022, where my works were shown next to Ville Aakula, Bo Haglund, Saija Halko, Karoliina Hellberg and Päivi Keski-Pomppu.

 Love is a universal ocean from which art flows. Love is attachment to other people and the world. In art, it also means uniting with the long history of art in all different eras; to national romanticism, Japonism, the Renaissance – their thoughts, struggles and hopes. Love however surrounds us in its different guises in every single moment, and art is one opportunity to experience its breathing through the experience of silence and beauty.

The six artists of the exhibition have contemplated and felt love into different forms and materials. The exhibition expresses affection and admiration towards everyday life, other beings, all of Creation and humanity.

Title came from the the song “Sinua sinua rakastan” composed by Kaj Chydenius and words by Aulikki Oksanen.

Photo: Lokal

Rain (Chrysanthemum) (2022)

Rain (Chrysanthemum) (2022)

280 x 87 + 87cm (2 pieces)

hand tufted rya, mohair, silk, wool, cashmere

Sinua sinua rakastan (2022)

Sinua sinua rakastan (2022)

40 x 32 cm

hand tufted rya, mohair, wool

Lilac Wine (2022)

Lilac Wine (2022)

49 x 32 cm

hand tufted rya, mohair, wool

Tulenkantaja (2022)

Tulenkantaja (2022)

44 x 32 cm

hand tufted rya, mohair, wool

III of Swords (2022)

III of Swords (2022)

42 x 34 cm

hand tufted rya, mohair, wool

Jules et Jim (2022)

Jules et Jim (2022)

19 x dia 15 cm

hand blown glass

Glassblower: Slate Grove assisted by Paulina Varis

Inkeri (2022)

Inkeri (2022)

32 x dia 15cm

hand build ceramics, Finnish red clay, engobe, glazing

Lost World (2022)

Lost World (2022)

275 x 110 cm

hand woven jacquard weaving, Japanese silk, cotton, dry pastel

Yön usva (2022)

Yön usva (2022)

31 x dia 19 cm

hand build ceramics, Finnish red clay, colour, glazing

Only Lovers Left Alive (2022)

Only Lovers Left Alive (2022)

37 x dia 19 cm

hand build ceramics, stoneware, engobe, glazing

À la folie (2022)

À la folie (2022)

35 x dia 17 cm

hand build ceramics, stoneware, engobe, glazing

Sugar Baby Love (2022)

Sugar Baby Love (2022)

26 x dia 15 cm

hand build ceramics, stoneware, colour, glazing

HYMNI

HYMNI

HYMNI exhibition with Matias Karsikas and Milla Vaahtera at Lokal gallery 2024

The spring anthem, composed by three contemporary artists, is sung in their own distinct voices. The hymn is sung to the soon-to-bud spring blossoms, to the images and forms sprouting from within us. It is sung to ceramics, glass, textiles, the creation and birthing of works, Finnish design and our far-reaching tradition of hand-crafting. The anthem is first sung alternately as a turn song between the three, and finally it is sung in unison.

Hand-tufted rugs, ceramics and glass are presented by Hanna-Kaisa Korolainen. Thematically, the works touch upon loss and the cycle of life. The plant motifs are inspired by the paintings of the Japanese Edo period master Ogata Korini (1658-1716). The soft melancholy of Korolainen’s works grows into comfort and hope, encouraging one to dream; the next growing season and spring always arrives, a new morning dawns.

Ceramics on the table by Saija Halko.

Photo: Lokal

Wisteria Falls (2024)

Wisteria Falls (2024)

280 x 180 cm hand tufted rug mohair, wool, silk

Armas Aika rug at Hymni exhibition

Armas Aika rug at Hymni exhibition

150 × 140 cm (2023) hand tufted rug mohair, silk and wool private collection

Photo: Lokal

Dark as Night

Dark as Night

Hand tufted rug

50 x 40 cm

Mohair, wool, silk

The Sun XIX: The Child and a White Horse

The Sun XIX: The Child and a White Horse

Hand tufted rug

56 x 40 cm

Mohair, wool, silk

Pink Moon

Pink Moon

Hand tufted rug

40 x 40 cm

Mohair, wool, silk

Blanche Neige

Blanche Neige

Hand tufted rug

42 x 41 cm

Mohair, wool, silk

Le Sacre du Printemps

Le Sacre du Printemps

Hand tufted rug

40 x 40 cm

Mohair, wool, silk

Nights in White Satin

Nights in White Satin

Hand tufted rug

43 x 30 cm

Mohair, wool, silk

Daisy Grey

Daisy Grey

Hand tufted rug

50 x 34 cm

Mohair, wool, silk

Tähetär/ The Star XVII

Tähetär/ The Star XVII

Hand tufted rug

49 x 67 cm

Mohair, wool, silk

Day is Done

Day is Done

Hand tufted rug

48 x 18 cm

Mohair, wool, silk

Narcisse Noir

Narcisse Noir

Hand tufted rug

35 x 40 cm

Mohair, wool, silk

Tree of Life and Death (2023)

Tree of Life and Death (2023)

190 x 85 cm hand tufted rug mohair, wool, silk

Private collection

Ad Astra Medusa (2022)

Ad Astra Medusa (2022)

185 x 220 cm hand tufted rug mohair, silk, wool

Based on Akseli Gallen-Kallela’s painting “Ad Astra” from 1894-1896 that he himself repeated 1907 after the original had been sold.

Mouth Shall not Leave a Mouth rug (2019)

Mouth Shall not Leave a Mouth rug (2019)

200 × 140 × approx. 3 cm mohair, wool

hand-tufted rug

Tristan (2019)

Tristan (2019)

200 × 140 × approx. 4 cm mohair, wool

hand-tufted rug

Flowers (2018–2020)

Flowers (2018–2020)

180 × 180 × approx. 4 cm mohair

hand-tufted rug

Flowers II (2018)

Flowers II (2018)

60 × 80 × approx. 15 cm mohair, japanese silk hand-tufted rug cushion Virgil Abloh Foundation’s art collection

Based on Andy Warhol’s Flower series.

Flowers I (2018)

Flowers I (2018)

60 × 80 × approx. 15 cm mohair, japanese silk hand-tufted rug cushion Virgil Abloh Foundation’s art collection

Based on Andy Warhol’s Flowers series.

Snake (2019)

Snake (2019)

30 × 70 × approx. 15 cm hand-tufted rug cushion mohair Virgil Abloh Foundation’s art collection

13_swansong_2019_145cm_270cm_photo_H-K_Korolainen (kopio).jpeg
Flame (2018)

Flame (2018)

50 × 50 × approx. 3 cm hand-tufted rug cushion mohair Virgil Abloh Foundation’s art collection

Alphabet rug (2018–2019)

Alphabet rug (2018–2019)

270 × 140 × approx. 4 cm (pictured horizontally) mohair

hand-tufted rug

Star (2018)

Star (2018)

50 × 50 × approx. 3 cm mohair

hand-tufted rug cushion

Tigersun (2018)

Tigersun (2018)

140 × 110 × approx. 4 cm (pictured horizontally) mohair

hand-tufted rug

The House of Pay and Rain

The House of Pay and Rain

My solo exhibition “The House of Play and Rain” was organized in Lokal gallery 2017.

This exhibition was inspired by artists from Raoul Dufy to Niki de Saint Phalle. Rugs, woven jacquards and printed fabrics create a home-like setting, where influences from the imaginary Paris of 1920’s mixed up with the artist’s childhood scenery, Finland in 1970’s and its bold colours and patterns. The mystery behind the artistic process is revealed by presenting the sketches, materials and tools behind the artworks.

Photo: Lokal/ Katja Hagelstam.

Amur rug, 2016-2017

Amur rug, 2016-2017

Hand-tufted rug 110cm x 140cm. Photo: Ulla Kokki.

Ansa rug, 2016-2017

Ansa rug, 2016-2017

Hand-tufted 110cm x 140cm. Photo: Ulla Kokki

@lokalhelsinki, 2017.

@lokalhelsinki, 2017.

Ansa rug in the background and various textile design materials on the table.

Various rug works, 2016-2017

Various rug works, 2016-2017

Hand-tufted rugs and pillow cases, 2016-2017. Photo: Ulla Kokki.

Bambi rug cushions, 2016-2017

Bambi rug cushions, 2016-2017

Hand-tufted 50cm x 50cm. Photo: Ulla Kokki.

Bambi rug cushion, 2017

Bambi rug cushion, 2017

Hand-tufted 50cm x 50cm. Photo: Ulla Kokki

Caribbean jacquard, 2016.

Caribbean jacquard, 2016.

Caribbien jacquard 155cm x 545cm, woven at Lapuan Kankurit mill. Photo: Ulla Kokki.

@lokalhelsinki, 2017.

@lokalhelsinki, 2017.

General view in the exhibition The House of Play and Rain, 2017. Photo: Katja Hagelstam.

The House of Play and Rain @lokalhelsinki

The House of Play and Rain @lokalhelsinki

Arte RML lounge chair by Nikari decorated with Buckthorn jacquard and November jacquard on the chair. Photo: Katja Hagelstam, 2017.

Various jacquards, 2016

Various jacquards, 2016

Woven jacquards with mohair, silk and wool. Photo: Ulla Kokki

Detail of the Sweet Thing jacquard, 2016

Detail of the Sweet Thing jacquard, 2016

Hand-woven cotton and mohair jacquard 110cm x 220cm. Photo: Ulla Kokki. Weaving: Eeva Kulju.

Broken Flowers Rug (2018)

Broken Flowers Rug (2018)

Broken Flowers hand-tufted mohair rug, 140cm x 200cm.

Photo by Author.

Broken Flowers rug (2017) in metamorphosis

Broken Flowers rug (2017) in metamorphosis

Photo: Sofia Okkonen (2018)

Broken Dahlia Rug

Broken Dahlia Rug

Broken Dahlia hand-tufted mohair rug, diameter 170cm (2018). Café Skandi chairs by Kari Virtanen (2015), Nikari. Photo by Author.

Broken Dahlia rug (2018) in metamorphosis

Broken Dahlia rug (2018) in metamorphosis

Photo: Sofia Okkonen (2018)

Broken Lake rug

Broken Lake rug

Broken Dahlia hand-tufted mohair rug, diameter 120cm x 192cm (2017-2018). Photo by Author.

Broken Lake rug (2017–2018) in metamorphosis

Broken Lake rug (2017–2018) in metamorphosis

Photo: Sofia Okkonen (2018)

Broken Lake Rug sofa Detail

Broken Lake Rug sofa Detail

Broken Dahlia hand-tufted mohair rug sofa with cushions, detail (2018). Photo by Author.

Broken Lake Rug Sofa

Broken Lake Rug Sofa

Broken Dahlia hand-tufted mohair rug sofa with cushions, detail (2018). These rugs are like soft paintings, they can be laid down as carpet, wall art or on a piece of furniture. Photo by Author.

Michelangelo and Tree of Life vases, various ceramics (2017-2018)

Michelangelo and Tree of Life vases, various ceramics (2017-2018)

Various vases (2017-2018)

Various vases (2017-2018)

Bleeding vase with ink stain and shino bowls (2017-2018)

Bleeding vase with ink stain and shino bowls (2017-2018)

Bleeding Vase (2018)

34 × 14 × 14 cm

stoneware, glaze gas fired, hand-built

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bowls various sizes

stoneware, wood fired, hand-built

Blue Lagoon vase (2018)

Blue Lagoon vase (2018)

27 × 13 × 13 cm

stoneware, glaze gas fired, hand-built

Rue de Paradis vase (2018)

Rue de Paradis vase (2018)

35 × 15 × 14 cm

stoneware hand-built

Wood–fired "Du feu et du Champagne vase" and various bowls (2017-2018)

Wood–fired "Du feu et du Champagne vase" and various bowls (2017-2018)

Du Feu et du Champagne (2018)

19 × 13 × 15 cm

wood-fired stoneware, glaze, hand-built

-

various sizes of bowls

wood-fired stoneware, glaze, hand-built

Purple Rain vase (2017)

Purple Rain vase (2017)

Photo: Sofia Okkonen (2018)

11:59 (Debbie) (2022)

11:59 (Debbie) (2022)

silk

hand-woven jacquard

‘fransu’ Finnish hand-knotting technique, mixed media

Green-haired Elvis (2022)

Green-haired Elvis (2022)

104 × 142 cm (without fringes)

silk

hand-woven jacquard

‘fransu’ Finnish hand-knotting technique, mixed media

Green Jacket (Debbie) (2022)

Green Jacket (Debbie) (2022)

silk

hand-woven jacquard

‘fransu’ Finnish hand-knotting technique, mixed media

Suspicious Minds (Elvis) (2020)

Suspicious Minds (Elvis) (2020)

107 × 116 cm (without fringes)

silk

hand-woven jacquard

‘fransu’ Finnish hand-knotting technique, mixed media

Mother (Niki) (2020)

Mother (Niki) (2020)

110 × 123 cm (without fringes)

silk

hand-woven jacquard

‘fransu’ Finnish hand-knotting technique, mixed media

Pink-haired Debbie (2021)

Pink-haired Debbie (2021)

107 × 162 cm (without fringes)

silk

hand-woven jacquard

‘fransu’ Finnish hand-knotting technique, mixed media

Hollenegg Fantasy (2022)

Hollenegg Fantasy (2022)

hand-printed and -painted cotton velvet fabric

permanent artwork at Schloss Hollenegg for Design

Printed in collaboration with Stephanie Klaura/ FabricFabrik

Photo: LippZahnschirm

From exhibition catalogue: “Hanna Kaisa Korolainen is a designer and visual artist based in Helsinki, Finland. Her diverse practice includes textiles, glass and ceramics. Hollenegg Fantasy is a silk-screened and hand-painted fabric, made in Vienna, in collaboration with Stephanie Klaura from FabricFabrik. Korolainen was inspired by a Parinirvana (Death of the Buddha) painting, dating back to the 14th century Japan, in one of the rooms of Schloss Hollenegg. Paintings depicting the death of the Buddha convey essential tenets of Buddhism — passing from earthly life to that of an enlightened being, being released from the bonds of existence — and show how those witnessing the Buddha’s passing reveal their imperfect level of enlightenment in the extent of their grief, weeping, or showing a solemn serenity. During her residency at Schloss Hollenegg, Korolainen noticed the animals and plants populating the furniture and tapestries of the castle, many of which are narratively stylised, imagined and curious. She wanted to unite the flora and fauna in a single setting, collecting the animals and plants onto a fabric.”

 Photo: LippZahnschirm

Photo: LippZahnschirm

Image from my residency bedroom (2020).

Image from my residency bedroom (2020).

During my residency at Schloss Hollenegg during summer 2020 I was sleepind under one of. my biggest sources of inspiration “Parinirvana (Death of the Buddha)”painting, dating back to the 14th century Japan.

Photo: Hanna-Kaisa Korolainen

Vomiting Flower (2020)

Vomiting Flower (2020)

Sketch of ancient Chinese hand-painted silk wallpaper’s detail at Schloss Hollenegg.

Flaming Tiger Flower

Flaming Tiger Flower

Sketch of ancient Chinese hand-painted silk wallpaper’s detail at Schloss Hollenegg.

La Hija del Dragon

La Hija del Dragon

Inspired by poster of the film of same title (1931) and dragon objects at Schloww Hollenegg..

Falling Flower

Falling Flower

Sketch of ancient Chinese hand-painted silk wallpaper’s detail at Schloss Hollenegg.

Blue Lion

Blue Lion

Lion figure from “Parinirvana (Death of the Buddha)”painting, dating back to the 14th century Japan.

Crane

Crane

Crane figure from “Parinirvana (Death of the Buddha)”painting, dating back to the 14th century Japan.

White Elephant.

White Elephant.

Elephant figure from “Parinirvana (Death of the Buddha)”painting, dating back to the 14th century Japan.

 Playing with large sized sketches.

Playing with large sized sketches.

Pink Sea (2019)

Pink Sea (2019)

30 × 22 × 22 cm

stoneware, glaze, lustre hand-built

Little Darling (2019)

Little Darling (2019)

21 × 16 × 16 cm

stoneware, glaze, lustre hand-built

Silver Flame (2019)

Silver Flame (2019)

30 × 19 × 18 cm

stoneware, glaze, lustre hand-built

Deep Sea (2019)

Deep Sea (2019)

33.5 × 18 × 18 cm

stoneware, glaze, lustre hand-built

Still Here (2018)

Still Here (2018)

20 × 15 × 15 cm

gas fired stoneware, glaze hand-built

Night in the Forest (2018)

Night in the Forest (2018)

34 × 20 × 20 cm

stoneware, glaze, lustre hand-built

Broken Roses (2019)

Broken Roses (2019)

26 × 15 × 15 cm

stoneware, glaze, under-glaze, lustre hand-built

Broken Daisies (2019)

Broken Daisies (2019)

24 × 26 × 26 cm

stoneware, glaze, under-glaze, lustre hand-built

Du Feu et du Champagne (2018)

Du Feu et du Champagne (2018)

19 × 13 × 15 cm

wood-fired stoneware, glaze, hand-built

Octopus I (2019)

Octopus I (2019)

cream, turquoise, clear glass

23.5 × 16 × 16 cm

free-blown glass

Octopus II (2019)

Octopus II (2019)

white, violet, green, clear glass

24.5 × 15 × 15 cm

free-blown glass

Octopus IV (2020)

Octopus IV (2020)

rose, amber, black

25 × 16 × 16 cm

free-blown glass

Octopus V (2020)

Octopus V (2020)

neon yellow, black, close-to- clear neodymium

24 × 17 × 17 cm

free-blown glass

Octopus VI (2020)

Octopus VI (2020)

cream, black, red

24 × 17 × 17 cm

free-blown glass

Octopus VII (2020)

Octopus VII (2020)

rose, amber, black, brown

24 × 17 × 17 cm

free-blown glass

Robert (2021)

Robert (2021)

22 × 12 × 11 cm

free-blown glass

source(s) of inspiration: Hvitträsk, Flame rug designed by Akseli Gallen-Kallela and Seagull rug designed by Jarl Eklund, continuation from my Octopus glass series

possible ‘a posteriori’ source(s) of inspiration: Art Nouveau

Joseph (2021)

Joseph (2021)

20 × 17 × 15 cm

free-blown glass

source(s) of inspiration: Hvitträsk, Flame rug designed by Akseli Gallen-Kallela and Seagull rug designed by Jarl Eklund, continuation from my Octopus glass series

possible ‘a posteriori’ source(s) of inspiration: Art Nouveau

Angélique (2021)

Angélique (2021)

22,5 × 16 × 15 cm

free-blown glass

source(s) of inspiration: Hvitträsk, Flame rug designed by Akseli Gallen-Kallela and Seagull rug designed by Jarl Eklund, continuation from my Octopus glass series

possible ‘a posteriori’ source(s) of inspiration: Art Nouveau

Honey (2021)

Honey (2021)

21 × 16 × 16 cm

free-blown glass

source(s) of inspiration: Hvitträsk, Flame rug designed by Akseli Gallen-Kallela and Seagull rug designed by Jarl Eklund, continuation from my Octopus glass series

possible ‘a posteriori’ source(s) of inspiration: Art Nouveau